Stanlislovskis System: Concepts On Acting :: essays research papers

Stanlislovskis dust Concepts on Acting     The Elements of Style, as described by Sonia More in her simplified viewof the Stanlislavski System, are clear rudimentary ideals designed to assistant imposters achieve a profound and truthful portrayal of their grammatical case on the stagethrough personal connection with their feature. These concepts are designedas tools for the actor so that he may connect to a character or situation on thestage that he otherwise would not be able to connect with.     As Sonia Moore put it, Stanlislovski knew that an actors mind, will,and emotions must accede in the creation of a live human being on the stage.He also understood that it is impossible for people to turn their thoughts andemotions on and off as if by a switch. He also knew that no actor coming onstage with divulge any reason for experiencing emotions would be unable to do sowithout some connection, or bridge, to the personal and unrestrained r esponse oftheir character. So Stanlislovski designed tool for the actor to ingestion to economic aidhim connect with the emotional and physical world of his character.     Such concepts as The antic If is a clear example of a tool an actorcould use to connect himself the life of the character. The Magic If, simplyguides the actor to ask the uncomplicated question "What would I do if I were in mycharacter posture?" By asking this question of himself the actor stoppersonalize the inclined circumstances of the character. The situation of thecharacter becomes more than personal, and the stakes much higher, because the actorhas divulged some particular issues of himself into the character. Due to theseparticularities the actor will work out the given circumstance of the characterin a much more truthful manner. Even in acting the old saying goes "You cannot rightfully know someone until you walk a mile in their shoes." This concept of TheMagic I f also plays a big part in some other Element of Action -Imagination.     Imagination is another tool that allows the actor to figure of speech a substantialrelationship with his character by creating the very being in which hischaracter resides. Through this artistic imagination the actor can create thepast, present, and future of the character. The actor, in essence, could playGod wherein the character is concern apart from given circumstances or thecircumstances that exist at heart the play. This artistic imagination is beingused to give thoughts and feeling to the character being portrayed by simplyinfusing honesty and truthfulness into the actors performance.     thither are other Elements of Actions that guide the actor to form